Twelve Envelopes

On the karma kanda of patent filing — twelve patents, twelve Form 30s, twelve DAS codes, and a government payment gateway that has a bedtime. The exhaustion of process, the deeper irony, and why I do it anyway.

There is a particular kind of exhaustion that has nothing to do with difficulty. It is the exhaustion of process — of mechanically doing something that is not “intellectually” challenging, not interesting, not creative, but simply mandatory. Filing a patent is like this. Filing twelve is like this, twelve times.

I want to be precise about what I mean, because the complaint I am making is not the obvious one. I am not complaining that the process is expensive, though it is. I am not complaining that it takes time, though it does. I am complaining about something more specific: that the process has no relationship to the thing it is supposed to protect.

The Distance Between the Idea and the Form

On April 2, 2026, I ran a quantum transport simulation on my workstation in Nashik. Two GPUs, sixty-four threads, all night. In the morning the result was on the screen: three states, signed current, digital-grade signal-to-noise ratio. The device worked. The thing I had been thinking about since a Venice classroom in 2006 turned out to be correct.

That was the moment of invention. It took twenty years of background thought, a few months of intense work, and one overnight simulation.

Filing the patent for that invention with the Indian Patent Office involved: one Form 1 (application), one Form 2 (complete specification), one Form 3 (undertaking regarding foreign filing), one Form 5 (declaration of inventorship), one Form 9 (request for early publication), one Form 18 (request for examination), one Form 28 (declaration by natural person), one abstract, one set of drawings, and one fee payment through an online banking portal that times out if you pause for more than ninety seconds.

That was for one patent. I have twelve.

The Multiplication of Ritual

There is a concept in Hindu philosophy — karma kanda — which refers to the ritualistic portion of the Vedas, the detailed instructions for how to perform specific sacrifices. Light the fire in this order. Place the offerings in this arrangement. Recite these syllables in this sequence. It is not that the rituals are meaningless. They have a function. But the function is not the ritual. The function is the relationship between the Sadhaka and the Divine Power being invoked. The ritual is the form that relationship takes in the physical world, and it is necessarily more cumbersome than the relationship itself.

Patent filing is the karma kanda of invention. The invention lives in your mind and in the physics. The patent filing is the ritual by which you register that invention with the temporal authorities — the governments of sovereign nations who maintain registries of ideas. The form the ritual takes is: legalise.

Twelve patents. Six in Batch 1 (April 2026, Indian Patent Office). Six more in Batch 2 (August 2026, Indian Patent Office). Every office abroad has its own forms, its own numbering, its own portal, its own rules about how many words an abstract may contain — one says preferably 150, another shall not exceed 150, the difference between a suggestion and a command, expressed in the language of statute.

The DAS Code

I want to describe one specific procedure, because it illustrates the general character of the enterprise.

When you file a patent in India and then wish to file the same invention abroad — claiming the Indian filing as your priority — the foreign patent office needs to verify that your Indian application is real. It needs a certified copy of the priority document.

In the old days, you would request a paper certified copy from the Indian Patent Office, receive it by post, and mail it to the foreign office. This was slow but comprehensible.

Now there is a digital system: the WIPO Digital Access Service, or DAS. The idea is sensible. India uploads your document to a central WIPO server. The foreign office downloads it. No paper, no post, no delay.

The procedure to make this happen is as follows:

First, you log into the Indian Patent Office e-filing portal. The URL is ipronline.ipindia.gov.in — not ipindiaservices.gov.in, which was the old URL and is now defunct, though it still appears in various official documents. You navigate to Form 30 (amongst a multitude of “FORMS”), which is the form for miscellaneous requests. You fill in your application number, you write a paragraph requesting the preparation of a certified copy and e-transmission through WIPO DAS under Schedule 1, Entry 49A. You cannot sign it digitally with your DSC — a USB cryptographic key that you purchased separately, you need to “ESign” each and every form and enclosed document, enrolled with a certifying authority, and registered with the patent office (YES, e-mudhra ESign is mandatory… Why though, misses me entirely.). You submit. You receive an acknowledgement. You wait for the DAS access code to arrive by email.

Then you do this eleven more times. One for each application.

Each submission takes approximately four minutes. But the twelve submissions cannot be batched. There is no “submit Form 30 for all my applications at once.” Each is a separate transaction, a separate acknowledgement, a separate digital signature ceremony. The same covering letter, the same request paragraph, the same Entry 49A citation — twelve times, with one number changed. By the fifth submission you are numb. By the eighth you are laughing at yourself. By the eleventh you are genuinely questioning whether the entire international patent system is an elaborate practical joke designed to test whether inventors will keep going after all creativity has been drained from the act. The twelfth submission is performed in a state of grim, mechanical clarity — the clarity of a man who has accepted that the universe will not exempt him from stupidity merely because he has built something that deserves better.

What the Machine Cannot See

I am not angry about this. I want to be clear. The people who built these systems did not build them badly. They built them for the general case — for the applicant with one patent, filing one request. The system works for that case. It is only when you are the person with twelve patents and twelve requests that you notice the absence of a batch function.

The system cannot see you. It sees twelve transactions. It does not know and does not care that they are all from the same inventor, for the same family of inventions, filed on the same days, going to the same foreign offices. Each transaction is an island.

This is not a flaw. It is a design choice. Government systems are designed for correctness, not efficiency. Every transaction is independent because independence prevents cascading errors. If one of my twelve requests has a problem, the other eleven are unaffected. This is the right design for a system that must be reliable above all else.

But it means that the experience of using the system, for someone in my position, is the experience of performing the same ritual twelve times while the computer watches with perfect indifference.

The Deeper Irony

There is a deeper irony that I want to name, and then I will let it go.

The invention I am protecting — the thing inside these twelve envelopes — is a computing architecture. It is a system for processing information. At its heart is a device that switches in picoseconds. The compiler I wrote for it performs optimisations that eliminate redundant operations. The operating system manages resources with a consensus scheduler that resolves conflicts in a single propagation delay. The entire stack is designed around the principle that information should flow without unnecessary friction.

And the system I must use to register this invention with the world is a web portal that times out after ninety seconds of inactivity and requires me to re-enter my digital signature twelve times. It’s “FRICTION” personified.

I am not making a point about government incompetence. I am making a point about the gap between what we can imagine and what we must endure. The gap is always there. It is there when you write a symphony and then carry the manuscript to a publisher on a bus. It is there when you discover a new theorem and then format it in LaTeX for a journal that requires 12-point Times New Roman. The sublime does not exempt you from the mundane. It never has.

Why I Do It Anyway

Someone once asked me why I file patents at all, given that I intend to release the technology freely. It is a fair question.

The answer is that protection must precede liberation. You cannot give away what you do not own. If I publish the specifications without filing patents, anyone can patent the obvious extensions — and then they own the extensions, and the thing I meant to set free is enclosed by fences I did not build. The patents are not walls. They are a controlled perimeter that I am building so that when I open the gates, no one else can close them.

This is why I sit at my desk at midnight, filling in Form 30 for the twelfth time, clicking “Submit” while the portal loads slowly over a connection that was not designed for this hour of the night. And then discovering — at 11:14 PM, after the twelfth submission is ready — that payments to “BharatKosh” are forbidden between 23:00 hours and 00:30 hours. The Government of India’s payment gateway has a bedtime. The inventor does not. So you wait. You sit with your completed forms and your USB cryptographic key and your e-Mudhra signatures and you wait for the government’s payment system to wake up, because the system that is supposed to serve you keeps office hours that you, at midnight in Nashik with twelve patents and a deadline, do not have the luxury of keeping.

Not because I enjoy it. Not because it is meaningful work. But because it is the necessary form that the protection takes, and the protection is necessary for the liberation that follows.

Twelve envelopes. Twelve acknowledgements. Twelve DAS codes that will arrive by email in their own time. And then, when the last jurisdiction has been filed, the gates open.

© 2026 Manish Jagdish Thatte — Nashik, August 2026. All rights reserved.
No part of this work may be reproduced without the written permission of the author.

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